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Both Martin and Nan are searching. For what we are not sure, but that is the basic plot. Where are we going, and how will we get there? Nan is no longer together with Jason (Lucas Neff), but he is hopeful they'll get back together and comes around regularly to see Martin. It's impossible to articulate how perfect Hodges is, how well he and the actual dog Ned, who has that soulful dog look, are in this black comedy. Suffice it to say we could watch hours of this and never be tired of the suspension of disbelief required. It's charming, urbane, witty as hell, and you must watch it.
TNT's new black comedy "Claws" debuted June 11, and it is queer. We are always ready for Niecy Nash ("Reno 911"), and she gives us everything as Desna Simms, head of a group of five manicurists turned money launderers and organized crime mavens. Co-starring with Nash is Carrie Preston as Polly. Preston revealed her comedic talents on "The Good Wife" and won an Emmy for her role as quirky genius attorney Elsbeth Tascioni. Polly is a different kind of genius.
Based on "Master of None" star Lena Waithe's own coming-out story, Denise comes out, not an easy ride for a young black woman in the 1980s. Kym Whitley as Denise's aunt, and Angela Bassett as her mother, Catherine, make this an incomparable episode. Thanksgiving is that holiday we all have stories about. Especially those of us who are LGBT. "Master of None" nails it.
When the first season of "Master of None" debuted, Waithe told The Hollywood Reporter that her character was going to change things up. "I don't know if we've seen a sly, harem pants-wearing, cool Topshop sweatshirt-wearing, snapback hat-rocking lesbian on TV." Waithe, whose character was originally supposed to be a straight white woman, not a black lesbian, said, "I know how many women I see out in the world who are very much like myself. We exist. To me, the visibility of it was what was going to be so important and so exciting."
It is both important and exciting. The "Thanksgiving" episode is about many things, including race. In an interview about the episode for Vanity Fair, Waithe explained how getting Bassett onto "our little show" was such an honor, and made her step up her writing game. She also put Bassett in context as an actress and racial-barrier-breaker. "Angela Bassett is a freaking legend. Without Angela Bassett, there is no Viola Davis, there is no Halle Berry. She's the one who came in and did things Meryl Streep was doing, as a black actress." Bassett does those things in "Master of None." Yet another reason to watch.
Summer wouldn't be summer without some supernatural thrills from the master. Stephen King's "The Mist" premieres June 22 on Spike, and has everything: mystery, disappearances, fear of the Other, insects. June 5, Spike released a new trailer, and the 10-episode series is both visually stunning and a terrifying evocation of the King classic. Created by Christian Torpe, the series stars Morgan Spector ("Person of Interest"), the great Frances Conroy ("Six Feet Under"), Alyssa Sutherland ("Vikings"), Gus Birney, Dan Butler (one of the first out gay actors on TV), Luke Cosgrove, Danica Curcic, Okezie Morro, Darren Pettie, Russell Posner and Isiah Whitlock, Jr. "The Mist" is set in Bridgeton, Maine. Something mysterious befalls the small town, a mist that rolls in one day and never leaves. Where did it come from? What is in the mist? Bad things. The natural world is turning on itself, and those who stay out in the mist " well, you wouldn't want to do that.
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"Of course I do! It's enough to break the horses' necks, and knock one upfor the whole day besides," he added testily; then twisted his head to lookat the buggy that came on behind. "I thought Waldo was such a mad driver;they are taking it easily enough today," said Gregory. "One would thinkthe black stallions were lame."
Waldo looked round; she sat drawn into the corner, her blue cloud woundtightly about her, and she still watched the horses' feet. Having nocomment to offer on her somewhat unexpected remark, he merely touched uphis horses.
As the morning advances, riders on many shades of steeds appear from alldirections, and add their saddles to the long rows against the walls, shakehands, drink coffee, and stand about outside in groups to watch thearriving carts and ox-wagons, as they are unburdened of their heavy freightof massive Tantes and comely daughters, followed by swarms of children ofall sizes, dressed in all manner of print and moleskin, who are taken careof by Hottentot, Kaffer, and half-caste nurses, whose many-shadedcomplexions, ranging from light yellow up to ebony black, add variety tothe animated scene.
Now too the busy feet have broken the solid coating of the floor, and acloud of fine dust arises, that makes a yellow halo round the candles, andsets asthmatic people coughing, and grows denser, till to recognise any oneon the opposite side of the room becomes impossible, and a partner's faceis seen through a yellow mist.
Gregory looked round, but nothing else suggesting itself, he sat down on abox on the opposite side of the door. Lyndall sat before him, her chinresting in her hand; her eyes, steel-grey by day, but black by night,looked through the doorway into the next room. After a time he thought shehad entirely forgotten his proximity, and he dared to inspect the littlehands and neck as he never dared when he was in momentary dread of the eyesbeing turned upon him.
And soon they were on the sandy road the buggy had travelled an hourbefore. Their horses, with heads close together, nodding sleepily as theywalked in the starlight, you might have counted the rise and fall of theirfeet in the sand; and Waldo in his saddle nodded drowsily also. Only Emwas awake, and watched the starlit road with wide-open eyes. At last shespoke.
He was having a nice round until finishing with four straight birdies, all inside 10 feet, a couple of them involving tough pins. The easiest shot was his 1-foot birdie putt on the ninth hole to cap off his 62. 781b155fdc
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